Quasi feat. Special Guests
posted: Apr 15, '08 1:48PM updated: Apr 25, '08 2:50PMTickets are available at the UO Ticket Office!


Formed by Janet Weiss & Sam Coomes, Portland, Oregon, '93. Expiremented with various lineups in early live appearances, while recording as a duo, eventually settling on the duo format in performance as well. Released a cassette in '93, & a self-released CD (containing some of the material from the cassette plus additional material, all recorded in the bands basement rehearsal space with "home recording" equipment). Released 2nd Album, "R&B Transmogrification" (recorded in another basement with slightly nicer "semi-pro" recording equipment) on Up Records in '97. Released 3rd album, "Featuring 'Birds'," (recorded in a "professional" studio {16 tracks!})on Up in '98. Toured U.S., Europe, Australia, & Japan opening for & also serving as backup band for Elliott Smith, '98-'99, as well as touring on their own in U.S. & Europe during the same period. Released 4th album, "Field Studies," on Up in '99, continued touring. Released 5th album, "The Sword of God," on Touch & Go Records in '01, returning to self-produced home recording, albeit with upgraded equipment. Released 6th album, "Hot Shit!," on Touch & Go in '03. Quasi albums continue to be licensed internationally through Domino (U.K.) & P-Vine (Japan), & the band continues to tour actively, & are pleased with whatever successes they have achieved while maintaining a personal, anti-corporate approach.
Quasi on My Space: http://www.myspace.com/theequasi
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University of Oregon Art Expo
posted: May 08, '08 1:58PM
The 2008
Willamette Valley Music Fest
posted: Jan 25, '08 1:42PM updated: May 12, '08 6:19PMMay 17-18 :: Cuthbert Amphitheater :: FREE
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The UO Cultural Forum proudly presents the 2008 Willamette Valley Music Fest at the Cuthbert Amphitheater, located in Alton Baker Park, Eugene, OR.
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Enjoy two days of great music :: over 30 bands
Plus... food, art, beer and wine.
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Free admission. Free parking.
Check out the Music Fest Website for event info and line up.
16th Annual Queer Film Festival
posted: Apr 21, '08 8:55AM updated: May 13, '08 5:57PMQueer Free Films Ahoy!
posted: Apr 14, '08 11:47AM
The line up is finalized! Here are the order and dates of the films. Plus, more good news, this event is going to be FREE!
May 2nd, 11:30p - The Bubble, with short film Straight Hike for the Butch Dyke
May 9th, 11:30p - Shelter
May 17th (Saturday) - The Birthday
May 23rd, 11:30p - Itty Bitty Titty Committee
May 30th, 11:30p - Nina’s Heavenly Delights, Co-Sponsored by the LGBTQA!
Here are some short synopses of each one to keep you tied over until they show.
About the Films
ANIMATED Filmmaking w/ Will Vinton
posted: May 06, '08 7:09PM updated: May 12, '08 11:25PMGUEST LECTURE & SCREENING BY WILL VINTON
"The creation, growth and acceptance of Claymation and 3D Animation, the importance of story and character development at all levels of production, as well as personal career highlights and opportunities for careers in animation and related fields."
Will Vinton is an American director and producer of animated films. He was born in McMinnville, Oregon, near Portland. He has won an Oscar for his work, and several Emmy Awards and Clio Awards for the work of his studio.
http://en.wikipedia.org/wiki/Will_Vinton
http://www.imdb.com/name/nm0899139/
Changing Stereotypes
posted: May 12, '08 7:04PMUniversity of Oregon senior Chelsea Jones has photographed men and women serving in the military. The display challenges certain stereotypes they may face.
PACIFIC NORTHWEST ART ANNUAL thru June 6
posted: Apr 14, '08 3:44PM updated: May 05, '08 7:11PM2008 BEST IN SHOW AWARD GOES TO:
Elise Wagner, "Chamber Plate"
Image coming soon!

"Northwind" by Carol Barnett Best in Show, 2007
The Cultural Forum proudly presents the Pacific Northwest Art Annual. This yearly event was created to highlight emerging and established artists from the region who are a pivotal part of the art world. This year, we are excited to be showing the work of over 20 artists ranging from traditional painters to mixed media artists. The show opens May 1, at the Adell McMillan Gallery and will run until
Jurors:
Kelly Rauer, of the Portland Art Center
Clint Brown, Professor Emeritus at Oregon State
Chang-Ae Song, M.F.A. Candidate at U of O
Andy O’Brien, M.F.A. Candidate at U of O
INDEPENDENT Filmmaking w/ Alex Cox
posted: May 06, '08 7:51PM updated: May 12, '08 11:24PMGUEST LECTURE BY ALEX COX
Alex Cox is a British film director and sometime actor, notable for his idiosyncratic style and approach to scripts. Cox has previously cited Luis Buñuel and Akira Kurosawa as influences.[1] His film Repo Man is often credited as one of the first modern independent movies. It was this film that brought him critical attention.
Alex Cox was born in Bebington, Wirral, Nr. Liverpool, Merseyside. Cox studied at Wirral Grammar School and later at Worcester College, Oxford, then embarking upon a course in film studies at Bristol University and UCLA in California.
As well as directing films, Cox has helped pen screenplays for the film versions of Fear and Loathing in Las Vegas. He has also written on the subject of film for publications such as Sight and Sound, The Guardian, The Independent, and Film Comment. From 1988 to 1994, he presented the television series Moviedrome on BBC Two, providing introductions to a series of alternative or obscure films that would otherwise be unknown to the general public.
CONTACT: stevetenhonen@gmail.com
EXPERIMENTAL Filmmaking w/ Gerry Fialka
posted: May 12, '08 3:54PM updated: May 12, '08 11:25PMGUEST LECTURE BY GERRY FIALKA
MOTIVES & CONSEQUENCES OF EXPERIMENTAL FILM
an interactive workshop on how deviation from the norm results in progress. Reviewing the effects of avant-garde experiments in filmmaking on the creators and the audience, participants will uncover the hidden environments of moving image art. Marshall McLuhan's theme of art (in this case, experimental film) as anti-environment is the context for exploring the impact of pioneers like Marcel Duchamp, Luis Bunuel, Maya Deren, Bruce Conner, and more.
"Cinema is much too rich a medium to be left to storytellers" -Peter Greenaway
"I am not a storyteller, I work with emotions"- Robert Altman
Pixelvision Video Festival
posted: May 06, '08 8:20PM updated: May 12, '08 4:23PMThe Fisher-Price PXL2000 (also known as the PixelVision by Fisher-Price, and the KiddieCorder by some of its fans) was a toy black-and-white camcorder produced in 1987 that used an ordinary compact audio cassette as its recording medium.
The PXL2000 consisted of a simple aspherical lens, an infrared filter, a CCD image sensor, a custom ASIC (the Sanyo LA 7306M), and an audio cassette mechanism. This was mounted in a plastic housing with a bay for consumable batteries and a simple RF video modulator. A plastic viewfinder and some control buttons completed the makeup of the device itself.
CONTACT: pfsuzy@aol.com
Meeting Resistance: A film by Steve Conners and Molly Bingham
posted: May 12, '08 12:55AM updated: May 12, '08 12:57AMVariety
San Francisco Chronicle
The New Yorker
The Washington Post
Directed by Steve Connors and Molly Bingham, this daring, eye-opening film provides unique insight into the personal narratives of people involved in the resistance exploding myth after myth about the war in Iraq and the Iraqis who participate. Through its unprecedented access to these clandestine groups, MEETING RESISTANCE focuses the spotlight on the "other side", clarifying why the violence in Iraq continues to this day and providing a deeper understanding of both the toll of occupation and the human condition of resistance.
Caroliner feat. (Artist Unknown) & TBA
posted: Apr 15, '08 1:58PM updated: Apr 17, '08 7:48PM
Part of a long line of avant-garde weirdoes from the Bay Area, Caroliner -- aka Caroliner Rainbow -- often describes itself as "industrial bluegrass," which is likely the closest anyone ever came to pegging their uncategorizable sound. Their songs are rooted in 19th-century Americana and the sort of primitive folk found on the Harry Smith Anthology, but usually came wrapped in a thick crust of experimental noise and a bone-dry, dadaist sense of humor. Their records are just as likely to recall musique concrète or early industrial as country, folk, and bluegrass; everything in between is fair game as well, from early jazz to Eastern music to electronics. Their arrangements tended toward the minimal -- usually centered around banjo, violin, organ, and bass -- but often veer into noise-rock or elaborate orchestrations as well. Often sung by tape-altered voices, Caroliner lyrics are littered with pioneer and cowboy imagery from the Old West, but from a distinctly twisted perspective, with a flair for the macabre.
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Caroliner: http://www.myspace.com/carolinerrainbowherniami
